{"id":21995,"date":"2018-01-03T13:23:10","date_gmt":"2018-01-03T13:23:10","guid":{"rendered":"http:\/\/www.prestigemag.co\/2018\/01\/roy-g-harb\/"},"modified":"2018-01-03T13:23:10","modified_gmt":"2018-01-03T13:23:10","slug":"roy-g-harb","status":"publish","type":"post","link":"https:\/\/www.prestigemag.co\/fr\/2018\/01\/roy-g-harb\/","title":{"rendered":"Roy G. Harb"},"content":{"rendered":"<p><em>Prestige N 287-288, D\u00e9c. 2017-Janv. 2018<\/em><\/p>\n<p>&nbsp;<\/p>\n<h3>Dans son troisi\u00e8me roman L\u2019Immeuble des R\u00eaves, \u00abMabna El-Ahlam\u00bb, l\u2019auteur Roy Harb allie merveilleusement bien philosophie, po\u00e8mes, illustrations et peintures. Des sc\u00e8nes tir\u00e9es de la vie quotidienne, o\u00f9 le langage est simple et le message pr\u00e9cis, \u00abOsez r\u00eaver!\u00bb est une incitation au r\u00eave, mais aussi \u00e0 la lecture d\u2019un roman qui laisse le lecteur sur sa faim. Dans une rencontre avec Prestige, l\u2019auteur raconte.<\/h3>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_14111\" aria-describedby=\"caption-attachment-14111\" style=\"width: 1000px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.prestigemag.co\/wp-content\/uploads\/2018\/01\/Untitled-1-1.jpg\"><img src=\"data:image\/svg+xml,%3Csvg%20xmlns='http:\/\/www.w3.org\/2000\/svg'%20viewBox='0%200%201000%20409'%3E%3C\/svg%3E\" class=\"zeen-lazy-load-base zeen-lazy-load wp-image-14111 size-full\" data-lazy-src=\"http:\/\/www.prestigemag.co\/wp-content\/uploads\/2018\/01\/Untitled-1-1.jpg\" alt=\"\" width=\"1000\" height=\"409\" data-lazy-srcset=\"https:\/\/www.prestigemag.co\/wp-content\/uploads\/2018\/01\/Untitled-1-1.jpg 1000w, https:\/\/www.prestigemag.co\/wp-content\/uploads\/2018\/01\/Untitled-1-1-300x123.jpg 300w, https:\/\/www.prestigemag.co\/wp-content\/uploads\/2018\/01\/Untitled-1-1-770x315.jpg 770w, https:\/\/www.prestigemag.co\/wp-content\/uploads\/2018\/01\/Untitled-1-1-293x120.jpg 293w, https:\/\/www.prestigemag.co\/wp-content\/uploads\/2018\/01\/Untitled-1-1-390x160.jpg 390w, https:\/\/www.prestigemag.co\/wp-content\/uploads\/2018\/01\/Untitled-1-1-768x314.jpg 768w, https:\/\/www.prestigemag.co\/wp-content\/uploads\/2018\/01\/Untitled-1-1-150x61.jpg 150w, https:\/\/www.prestigemag.co\/wp-content\/uploads\/2018\/01\/Untitled-1-1-600x245.jpg 600w, https:\/\/www.prestigemag.co\/wp-content\/uploads\/2018\/01\/Untitled-1-1-291x119.jpg 291w, https:\/\/www.prestigemag.co\/wp-content\/uploads\/2018\/01\/Untitled-1-1-164x67.jpg 164w\" data-lazy-sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><figcaption id=\"caption-attachment-14111\" class=\"wp-caption-text\"><noscript><img class=\"wp-image-14111 size-full\" src=\"http:\/\/www.prestigemag.co\/wp-content\/uploads\/2018\/01\/Untitled-1-1.jpg\" alt=\"\" width=\"1000\" height=\"409\" srcset=\"https:\/\/www.prestigemag.co\/wp-content\/uploads\/2018\/01\/Untitled-1-1.jpg 1000w, https:\/\/www.prestigemag.co\/wp-content\/uploads\/2018\/01\/Untitled-1-1-300x123.jpg 300w, https:\/\/www.prestigemag.co\/wp-content\/uploads\/2018\/01\/Untitled-1-1-770x315.jpg 770w, https:\/\/www.prestigemag.co\/wp-content\/uploads\/2018\/01\/Untitled-1-1-293x120.jpg 293w, https:\/\/www.prestigemag.co\/wp-content\/uploads\/2018\/01\/Untitled-1-1-390x160.jpg 390w, https:\/\/www.prestigemag.co\/wp-content\/uploads\/2018\/01\/Untitled-1-1-768x314.jpg 768w, https:\/\/www.prestigemag.co\/wp-content\/uploads\/2018\/01\/Untitled-1-1-150x61.jpg 150w, https:\/\/www.prestigemag.co\/wp-content\/uploads\/2018\/01\/Untitled-1-1-600x245.jpg 600w, https:\/\/www.prestigemag.co\/wp-content\/uploads\/2018\/01\/Untitled-1-1-291x119.jpg 291w, https:\/\/www.prestigemag.co\/wp-content\/uploads\/2018\/01\/Untitled-1-1-164x67.jpg 164w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/noscript><\/a> L&rsquo;auteur Roy G. Harb.<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<h2>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00abIl n\u2019y a pas de vie sans r\u00eaves\u00bb<\/h2>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>Parlez-nous de votre roman L\u2019Immeuble des R\u00eaves&#8230;<\/em><\/strong> Pr\u00e9fac\u00e9 par le ministre Melhem Riachi, ce roman de 216 pages raconte l\u2019histoire de Samir Choueifaty, un avocat d\u2019une cinquantaine d\u2019ann\u00e9es, prisonnier de son pass\u00e9. Il ne cesse de penser \u00e0 son premier amour, Olfat, devenue Olga Rain, sc\u00e9nariste canadienne de renom. De retour \u00e0 son pays natal, Olfat lance son film L\u2019Immeuble des R\u00eaves dans lequel elle \u00e9voque une histoire d\u2019amour, la sienne. Samir a des difficult\u00e9s avec son \u00e9pouse Noha, et ne peut vivre son pr\u00e9sent que dans une solitude noire, une solitude dans la multitude. Il retourne \u00e0 son village natal, la cit\u00e9 de ses r\u00eaves d\u2019enfance et d\u2019adolescence o\u00f9 il retrouve Montaha, sa voisine qui tombe amoureuse de lui et de ses enfants Farid et Fadi avec lesquels elle joue le r\u00f4le d\u2019une m\u00e8re dont la vie l\u2019a priv\u00e9e. Il retrouve aussi le grand-p\u00e8re Youssef, et Olfat, qui l\u2019aime toujours. Quel futur pour ce couple? et les enfants? Montaha c\u00e8dera-t-elle \u00e0 son nouvel amour? Philosophie, po\u00e8mes, illustrations d\u2019Ihab Malaeb, peintures de la jeune Serena Sfeir de 7 ans et mosa\u00efque de Joumana Wehb\u00e9 El-Daher en couverture sont en harmonie dans ce roman dont les sc\u00e8nes sont tir\u00e9es du quotidien, et o\u00f9 le langage est simple, le message pr\u00e9cis: \u00abOsez r\u00eaver!\u00bb.<\/p>\n<p><strong><em>En quoi se distingue-t-il de vos pr\u00e9c\u00e9dents ouvrages?<\/em><\/strong> Avec le temps, l\u2019homme change, devient plus m\u00fbr et gagne de l\u2019exp\u00e9rience. L\u2019histoire de ma vie, paru en 2011 \u00e0 Dar Annahar, \u00e9tait la biographie d\u2019un jeune homme qui assume la repsonsabilit\u00e9 de sa m\u00e8re et de ses deux s\u0153urs lorsque son p\u00e8re quitte la maison pour retrouver sa ma\u00eetresse. Mon second roman Nasamat el Hanin, illustr\u00e9 par Sandra Clark, est po\u00e9tique. Mabna El-Ahlam se distingue, lui, par ses questions philosophiques simples, ses \u00e9v\u00e9nements, ses personnages et par la richesse de ses actions. L\u2019id\u00e9e de ce roman remonte \u00e0 2011, durant un atelier d\u2019\u00e9criture avec le sc\u00e9nariste \u00e9gyptien Mahmoud Dessouky. L\u2019intrigue \u00e9tait suppos\u00e9e \u00eatre d\u00e9velopp\u00e9e en feuilleton, mais faute de production, elle a \u00e9t\u00e9 transform\u00e9e en roman imprim\u00e9.<\/p>\n<p><strong><em>Votre livre est illustr\u00e9 de photos expressives&#8230; Quel plus cela apporte-t-il \u00e0 l\u2019ouvrage, \u00e0 votre avis?<\/em><\/strong> Comme le march\u00e9 de la lecture est en r\u00e9cession, nous avons besoin de trouver des moyens qui motivent les gens \u00e0 lire, \u00e0 prendre en main le livre en papier, ou m\u00eame le livre \u00e9lectronique. Mabna El-Ahlam para\u00eetra en 2018 sous forme d\u2019un e-livre. J\u2019essaie d\u2019en faire une galerie vivante. Ihab Malaeb et Ribelle Azzi ont transform\u00e9 neuf sc\u00e8nes en magnifiques illustrations. C\u2019est comme si vous regardez un film de cin\u00e9ma. Voil\u00e0 une valeur ajout\u00e9e \u00e0 ce roman, et le lecteur ne s\u2019ennuiera pas.<\/p>\n<p><strong><em>Pourquoi accordez-vous une part aux r\u00eaves et aux sentiments?<\/em><\/strong> Les r\u00eaves et les sentiments sont des caract\u00e9ristiques humaines sublimes sans lesquelles la vie sera fade et sans go\u00fbt. Sans eux, il n\u2019y a pas de vie. M\u00eame apr\u00e8s la mort, on r\u00eave d\u2019une vie \u00e9ternelle. Mon p\u00e8re me disait \u00abose r\u00eaver\u00bb, et je ne cesse de le faire. \u00abLe jour o\u00f9 tu quitteras cette terre, r\u00eave d\u2019un autre monde plus splendide et pacifique, et tu le trouveras\u00bb, disait-il. J\u2019essaie de transmettre ce message \u00e0 mes lecteurs.<\/p>\n<p><strong><em>Quels sont les r\u00eaves que vous souhaitez r\u00e9aliser?<\/em><\/strong> J\u2019aimerais vivre en paix, garder espoir et voir mon feuilleton L\u2019Autoritaire, Al Moustabidda, r\u00e9alis\u00e9 cette ann\u00e9e et diffus\u00e9 sur les cha\u00eenes t\u00e9l\u00e9vis\u00e9es. Mon r\u00eave le plus tendre est de prendre mes enfants dans mes bras.<\/p>\n<p><strong><em>Aimeriez-vous voir vos romans adapt\u00e9s \u00e0 l\u2019\u00e9cran?<\/em><\/strong> Oui bien s\u00fbr. Je n\u2019adopte pas le style descriptif. J\u2019\u00e9cris mes romans \u00e0 la mani\u00e8re d\u2019un feuilleton. A noter que j\u2019enseigne l\u2019\u00e9criture de sc\u00e9nario. Le c\u00e9l\u00e8bre sc\u00e9nariste libanais Chucri Anis Fakhoury voyait en Nasamat el Hanin un film romantique adapt\u00e9 au grand \u00e9cran, et en Ossit Omr un feuilleton t\u00e9l\u00e9vis\u00e9. Au plaisir de voir ce r\u00eave r\u00e9alis\u00e9.<\/p>\n<p><strong><em>Si vous n\u2019\u00e9tiez pas \u00e9crivain, qu\u2019auriez-vous aim\u00e9 \u00eatre?<\/em><\/strong> Un chirurgien plastique. J\u2019aime la beaut\u00e9!<\/p>\n<p><strong><em>Propos recueillis par<\/em><\/strong><strong> MIREILLE BRIDI BOUABJIAN<\/strong><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p><em>Dans son troisi\u00e8me roman L\u2019Immeuble des R\u00eaves, \u00abMabna El-Ahlam\u00bb, l\u2019auteur Roy Harb allie merveilleusement bien philosophie, po\u00e8mes, illustrations et peintures.<\/em> <\/p>\n","protected":false},"author":3,"featured_media":21996,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[13331],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Roy G. 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