Prestige issue 269-270, Dec. 2015-Jan. 2016
Marked by the simplicity of life in Nigeria during his childhood and the British variety and complexity later, the designer Moe Shour combines these concepts in his creations and tells Prestige his history with fashion, his eponymous label, his new collection and projects.
You come from a family that founded a jewelry house for over a hundred years ago, did you choose this field in order to ensure continuity? It is true that I grew up in the middle of jewelers and I naturally developed a sensitivity and a particular interest in jewelry and the beautiful things in general.
Each new collection is alchemy born of the confrontation between images, bodies, silhouettes, and language. For Maria Grazia Chiuri, this creative mechanism is no longer about breaking with the past; rather, it’s a gateway to rediscovering and celebrating the richness of House codes.
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The circus theme is dear to Christian Dior’s heart. In 1950, British television also covered the House’s show at The Savoy in London with a report titled Dior ‘Circus’ Comes To Town. For Maria Grazia Chiuri, this fantastical creative chaos
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